I recently teamed up again with 'Lost Sands' director Aaron Babla, to create an original score for his team's project 'The Boy and the Moon' for the BFX 2014 competition. About BFX:
'BFX is a five day festival that takes place in Bournemouth, on the south coast of England, from the 24th-28th September (4 days of talks and 1 day children’s workshop in the Bournemouth International Centre) consists of a unique programme of public screenings, presentations, workshops, a career hub showing you how to get involved with the industry, and family friendly events.
BFX hold a competition as part of the festival, which gives over 100 talented individuals from 10 UK HEI’s a chance to pitch and gain a coveted spot in this 7-week battle to be hosted by the National Centre for Computer Animation (NCCA) at Bournemouth University (BU) and the Arts University Bournemouth (AUB).
Really enjoyed working on the film, hopefully have it up to show you all soon. In the meantime you can check out the teams' pitch here:
3 and a Half Beards Pitch Video from 3 and a Half Beards on Vimeo.
25 August 2014
8 August 2014
Client Testimonials
"Scott did a fantastic job scoring my animated short 'Goodperson and Shitboy: Shitboy Rents a video'. With minimal direction he was able to provide me with professional calibre musical pieces, which complemented my short perfectly. I would gladly work with him again, and would recommend his services to anyone." -
Kurtis Scott - Post Animation Supervisor at Smiley Guy Studios, Toronto.
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"Scott is an up and coming composer who has already provided impressive scores for several animations and shorts as well as nailing his first TV ad for me earlier this year. He has a promising future ahead and I would recommend him for your project."
Alex Ball - Music Supervisor at M&C Saatchi, London.
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“Scott recently helped me with an audio project and I can honestly say that his input was critical to its success. The project was of particular personal significance so Scott's contribution became invaluable and was credited as much as the other contributors.
I particularly appreciated his know how and also the patience when it came to record. His technical assistance with the links and voiceovers really made the difference, and helped get several months of work over the line.
In general he was easy to work with and showed real empathy with, and understanding of, the programme being made - it wasn't just about pushing buttons.I would quite happily work with Scott again should the circumstances arise, and totally recommend him to others as a partner who can bring a project to life.'”
Andrew Parsonage - UWE Internal Communications Manager
Kurtis Scott - Post Animation Supervisor at Smiley Guy Studios, Toronto.
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"Scott is an up and coming composer who has already provided impressive scores for several animations and shorts as well as nailing his first TV ad for me earlier this year. He has a promising future ahead and I would recommend him for your project."
Alex Ball - Music Supervisor at M&C Saatchi, London.
------
“Scott recently helped me with an audio project and I can honestly say that his input was critical to its success. The project was of particular personal significance so Scott's contribution became invaluable and was credited as much as the other contributors.
I particularly appreciated his know how and also the patience when it came to record. His technical assistance with the links and voiceovers really made the difference, and helped get several months of work over the line.
In general he was easy to work with and showed real empathy with, and understanding of, the programme being made - it wasn't just about pushing buttons.I would quite happily work with Scott again should the circumstances arise, and totally recommend him to others as a partner who can bring a project to life.'”
Andrew Parsonage - UWE Internal Communications Manager
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